Announce

Calls for Papers and Contributions

Women Writers Project
Posted: Sunday, December 4, 2016 - 10:44
For those of you who work on women writers and early modernity, please see below for a publication/teaching development opportunity:
 
 
"I’m writing to share a resource that the WWP has recently published and to let you know about an opportunity to work with us as we pilot the development of teaching materials for this new collection. We’ve just published Women Writers in Review (http://wwp.neu.edu/review/) a collection of around 600 reviews, publication notices, and other documents that respond or relate to texts by the authors in Women Writers Online. We’re now inviting expressions of interest from teaching consultants who would work with us to create assignments that use WWiR. We’re planning to develop a sample set of assignments that we can publish on the WWP’s main site and on the WWiR site. Collaborators would have our support in developing assignments and activities and would also be named as pedagogical development consultants for the WWP. For more details on WWiR, please see this announcement: http://wwp.neu.edu/about/announcements.html#review-2016-11-16 

We are also inviting responses from those who would like to develop—or who already have!—assignments and activities involving Women Writers Online for publication on our site. If you don’t have institutional access to WWO and would like to set up a trial (for either yourself or your institution), please contact us. More details on WWO licensing and trials are here: http://wwp.neu.edu/wwo/license/

If you’re interested in getting involved, please email wwp@neu.edu with a brief expression of interest—just a short paragraph on the teaching you’ll be doing in spring 2017 or fall 2017 and some initial thoughts on how you’d like to use the WWiR or WWO collections. The deadline for submissions will be December 31, 2016. Please feel free to share this invitation with anyone you know who might be interested. 

 
And, for one final note, we will be holding several workshops this spring if you're interested in doing more work with TEI. Details on these are here: http://wwp.neu.edu/outreach/seminars/

If you have any questions about this program, or the WWiR site itself, please don’t hesitate to get in touch. We hope you enjoy the collection!

All my best,

Sarah

Sarah Connell Assistant Director Women Writers Project Northeastern University "

CFP: Telling Tales Out of School. Latin Education and European Literary Tradition
Posted: Sunday, November 27, 2016 - 11:11

Ghent University (Belgium), 14-16 September 2017

Proposals by 1 February 2017

CONFIRMED KEYNOTE SPEAKERS: Anders Cullhed (University of Stockholm), Rita Copeland (University of Pennsylvania), Erik Gunderson (University of Toronto)

ADVISORY BOARD: Anders Cullhed (University of Stockholm), Rita Copeland (University of Pennsylvania), Françoise Waquet (Université Paris-Sorbonne), Karl Enenkel (University of Münster), Piet Gerbrandy (University of Amsterdam), Wim François (University of Leuven), Wim Verbaal (Ghent University), Koen De Temmerman (Ghent University) and Marco Formisano (Ghent University)

At an early stage in its history, Latin went from a vernacular language to the most pervasive and enduring cosmopolitan language in European history. Latin did not only function as the language for international diplomacy, but, more importantly, it also served as the Church's liturgical language all over Europe and gave form to an intellectual climate that stimulated an extensive literary production. Literature written in Latin, from Roman Antiquity over the long Middle Ages to the early modern period, preserved and renewed literary and aesthetic standards. It laid the foundation for a European literature (and culture), which crossed national boundaries. Not surprisingly, ‘Great Authors’ such as Dante, Rimbaud, etc. that are now mainly known for their works in vernacular languages, also wrote several works in Latin.

In the development of this intellectual climate and literature, Latin education was a driving force. Latin education, as it took shape in Classical Antiquity, combined technical matters (morphology, prosody, metric, syntax,...) with broader ways of thinking such as rhetoric, literature, philosophy and theology. Hence, being educated in Latin always meant an initiation into a social, intellectual and literary elite. Most authors, even the ones who only wrote in vernacular languages, followed a Latin educational program and had a reading audience in mind that shared the same background.

The main focus of this conference will be the dynamic interaction between European literary production and Latin education as its undercurrent. At the two extremes, this relation can, on the one hand, be defined as one in which education only functioned as a transmitter of knowledge and literary attitudes; on the other hand, education can also be seen as a full part of the intellectual environment in which literary techniques, values and texts were not only transferred, but also evaluated and (re-)created. From the latter perspective, Latin literature and education were involved in a constant negotiation about (changing) aesthetic, social and historical elements.

This conference seeks to cover the entire Latinitas from the institutionalization of Latin education, as embodied by Quintilian, to the end of Latin as a primary language of schooling in modern times. We invite proposals for 30-minute papers on the interaction between education and literature. Particularly welcome are proposals with a comparative approach to different periods, geographical areas and/or literatures in other languages that had to emancipate from their Latin background. The following topics can serve as guidelines in exploring the correlation between schooling and literature:

  • Methods of reading and writing literature (genre, style, subject matter, literary attitude, etc.): What is their relation to the methods of the Latin educational system? How do they emancipate from them?
  • Commentary and reflection on literary values and traditions: How does the Latin school curriculum create literary expectations and stimulate theoretical ways of thinking about literature? In what way are canons created and continued by school programs and instruction?
  • Tensions and interactions between literary fields: How did the influence of Latin education affect, decelerate or accelerate the rise of literature in vernacular languages? How do the innovative force of literary production and the conservative nature of schooling disturb, challenge, and at the same time balance each other?
  • Power structures and social identification in and through literature: How are power relations and social identities such as gender, class, race, etc. negotiated through schools and literature? How do schools create an elite community of readers and authors of literature by projecting a model of a homo literatus? How does Latin play a role in establishing or changing this intellectual elite?
  • Broad historical-cultural shifts: How does the interaction between Latin schooling and literary production change under the influence of political, demographical, and religious transformations? How do developments within the intellectual climate, such as the rise of universities, the new sciences, the enlightenment etc. affect literary production?
  • The end of Latin schooling: What is the impact of the end of Latin as the language of instruction on literary production? What explains sudden and brief revivals of Latin as a literary language in modern times?

We accept papers in English, French, German, Italian and Spanish. Please send an abstract of ca. 300 words and a five line biography to relics@ugent.beby 1 February 2017.



ORGANIZATION: Tim Noens, Dinah Wouters, Maxim Rigaux and Thomas Velle are four FWO-funded doctoral researchers at Ghent University. Their research projects focus on Latin topics ranging from the 1st to the 18th century and in various geographical areas from Spain to Scandinavia. Their common interest in the correlation between Latin and other literatures resulted in the foundation of a new research group RELICS (research of European Literary Identity, Cosmopolitanism and the Schools), of which this conference is the launching event.

CFP: Mobility and Space in Late Medieval and Early Modern Europe
Posted: Sunday, November 27, 2016 - 11:08

Oxford, 23 June 2017

DEADLINE: February 1st, 2017

The application of spatial paradigms to the study of late medieval and early modern societies is now well underway. In contrast, the so-called ‘mobility turn’ has struggled to find its way from the social sciences to the humanities and, in particular, to history. This conference proposes to bring the two together by exploring how everyday mobility contributed to the shaping of late medieval and early modern spaces, and how spatial frameworks affected the movement of people in pre-modern Europe.

In focusing on these issues, the conference also intends to relate to current social challenges. The world is now more mobile than ever, yet it is often argued that more spatial boundaries exist today than ever before. The conference hopes to reflect on this contemporary paradox by exploring the long-term history of the tension between the dynamicity of communities, groups and individuals, and the human construction of places and boundaries.

Prospective speakers are invited to submit proposals of no more than 300 words for 20-minute papers. Papers may engage with questions of mobility and space at a variety of levels (regional, urban, domestic) and interdisciplinary approaches are particularly encouraged. Potential sub-topics may include, but are by no means limited to:

  • Performing space through movement (border patrols, civic and religious processions, frontier trespassing)
  • Mobile practices in public spaces (itinerant courts, temporary fairs, diplomatic exchanges, travelling performances, revolts on the move)
  • Narrating movement, imagining space (pilgrimage guides, travel diaries, merchant itineraries, road maps)
  • Digital scholarship in exploring the intersections between mobility and space (network analysis, flow modelling, GIS-based research)

Please send your proposal and a brief bio by 1st February 2017 to luca.zenobi@history.ox.ac.uk & pablo.gonzalezmartin@history.ox.ac.uk.

 

CFP: Prison/Exile: Controlled Spaces in Early Modern Europe
Posted: Sunday, November 27, 2016 - 11:06

Prison/Exile: Controlled Spaces in Early Modern Europe

10–11 March 2017
Ertegun House, University of Oxford
@OxPrisonExile

Proposals due by 9 January 2017

This conference seeks to explore the relationship between space, identity, and religious belief in early modern Europe, through the correlative, yet distinct experiences of imprisonment and exile. The organisers welcome all paper proposals that explore the phenomena of imprisonment and exile in the early modern period, especially those that relate these modalities of control to the complex and evolving religious thought of sixteenth- and seventeenth-century Europe.

At a time when incarceration or exile was a distinct possibility, even likelihood, for many of Europe’s innovative thinkers, how did the experience of imprisonment or banishment influence the texts—theological, political, and literary—produced in the early modern period? How did early modern individuals inhabit, conceptualise, and represent “unfree” space? How does the spatial turn help us to investigate the impact of the confines of prison or the exile’s physical separation from their community on the production and development of religious thought? Does imprisonment or exile exaggerate polemical language and heighten sectarian differences, or induce censorship and temper dissenting voices?

Keynote lectures will be given by Professor Rivkah Zim (King’s College, London) and Professor Bruce Gordon (Yale University). We invite 20-minute papers, from literary, historical, theological, and interdisciplinary perspectives, on these themes. We are especially interested in papers connecting imprisonment and exile, and in those linking physical spaces with the world of ideas and texts. Potential topics might include, but are not limited to:

  • Prison writings and literature produced in exile
  • The emergence of the prison as a mode of punishment, including responses to the work of Michel Foucault, Norbert Elias, and other theorists
  • The utility of the genre of prison writings, alongside considerations of audience, reception, and intention spatial confines of imprisonment
  • Captivity, relationships between captor and captive, cultural issues arising from captivity
  • Mental and physical separation from community
  • Distinctions and connections between imprisonment and exile
  • Monastic prisons
  • Literary consolation
  • Literary and figurative conceptualisations of imprisonment and exile
  • Mental and physical isolation, and afflictions experienced whilst incarcerated
  • Imprisonment or exile as themes or images in theology and exegesis

The organisers, Spencer Weinreich, Chiara Giovanni, and Anik Laferrière, look forward to receiving proposals, particularly from postgraduate students and early career researchers, and are glad to answer any queries. Proposals should include a title and abstract of a maximum of 250 words, and should be sent to prisonexileoxford@gmail.com by 9 January 2017.

 

CFP: Transience, Garbage, Excess, Loss: The Ephemeral, 1500–1800
Posted: Sunday, November 27, 2016 - 11:04

The Early Modern Center at the University of California, Santa Barbara is pleased to announce our Spring 2017 conference on The Ephemeral in early modernity. We invite presenters to interpret our theme widely so as to provoke as many exciting discussions as possible. Please see the details below, and don't hesitate to contact us off-list with any questions or comments!

Transience, Garbage, Excess, Loss: The Ephemeral, 1500–1800
University of California, Santa Barbara
Conference Date: April 21–22, 2017
Abstracts Due: December 15, 2016

The Early Modern Center at the University of California, Santa Barbara invites proposals for our annual conference, “Transience, Garbage, Excess, Loss: The Ephemeral, 1500–1800,” to be held on April 21 and 22, 2017. We are happy to announce our two keynote speakers: Elizabeth Heckendorn Cook (UC, Santa Barbara) and Jonathan Goldberg (Emory). We invite presentations that connect broadly to our theme of ephemerality in early modernity. With the present rise of ephemera studies, we hope to investigate the limits, depths, and abilities of the ephemeral as it may pertain to literature, art, music, history, religion, philosophy, or other fields of inquiry. How is the ephemeral intimately connected to our study of early modernity? And what is at stake in plumbing what is, by definition, “short-lived” or “transitory”? Possible topics include, but are not limited to:

  • Im/permanence; im/materiality
  • Sanitation, disease, sickness, plague, sewage or early modern plumbing
  • Trash or the trashy
  • Fragility or frailty
  • Excessive femininity, sensibility, or emotional states
  • Social production, overpopulation, over crowding
  • Scavengers, pests, pestilence
  • Food, consumption, intoxication
  • Scarcity vs. plenty
  • The exile, itinerant, or transient
  • The pilgrim or pilgrimage
  • Textuality; the ephemerality of print
  • Art, artistry, or ornamentation
  • The object vs the subject
  • The transatlantic
  • Environmental stakes

We invite abstracts of 300 words or less and a 1-page CV to be sent to EMCConference@gmail.com by December 15, 2016. In the spirit of the ephemeral, we envision both traditional conference presentations and also roundtables that engage with panelists, respondents, and audience. Please feel free to contact the conference organizer, Jeremy Chow, at emcfellow@gmail.com with any questions you may have.

New Publications

Angélique ARNAULD, Oeuvres complètes, t. 1, vol. III, Lettres, éd. J. Lesaulnier, F. Pouge-Bellais, A.-C. Volongo
Posted: 31 Jul 2020 - 16:57

Classiques Garnier, 2020. ISBN: 978-2-406-10318-9. 2849 p. 56€. Parties disponibles en pdf.

À travers 1800 lettres, dont 500 inédites, se révèle la figure d’Angélique Arnauld (1591-1661), abbesse réformatrice de Port-Royal : volontaire et exigeante, Angélique Arnauld exprime pourtant sa douloureuse impuissance face aux sanctions royales contre ceux qu’on appela dès lors les jansénistes.

https://classiques-garnier.com/oeuvres-completes-tome-i-volume-iii-lettres.html?utm_source=sendinblue&utm_campaign=Lettre_hebdo_-_27072020&utm_medium=email

 

H-France Forum on Chloé Hogg, Absolutist Attachments: Emotion, Media, and Absolutism in Seventeenth-Century France
Posted: 25 Jul 2020 - 10:28

Volume 15, Issue 4

Issue Editor: David Harrison, Grinnell College

Chloé Hogg, Absolutist Attachments: Emotion, Media, and Absolutism in Seventeenth-Century France. Rethinking the Early Modern series. Evanston, Illinois: Northwestern University Press, 2019. xii + 276 pp. Figures, notes, bibliography, and index. $34.95 (pb) ISBN 978-0-8101-3941-1.

Review Essays: Mathilde Bombart, Université Jean Moulin Lyon 3 Ellen R. Welch, University of North Carolina, Chapel Hill Jennifer Tamas, Rutgers University-New Brunswick Hélène Visentin, Smith College, MA

Response Essay by Chloé Hogg, University of Pittsburgh

https://h-france.net/h-france-forum-volume-15-2020-2/

 

 

Tiphaine Rolland, Le "vieux magasin" de La Fontaine. Les Fables, les Contes et la tradition européenne du récit plaisant
Posted: 19 Jul 2020 - 17:42

Droz, coll. "Travaux du Grand Siècle", 2020. ISBN: 978-2-600-06003-5. 576 p. 89 CHF.

Bien que La Fontaine ait placé ses Contes dans la lignée du Décaméron, des Cent Nouvelles Nouvelles ou de L’Heptaméron, on connaît mal la transmission de ces modèles prestigieux jusqu’au poète, par le biais de compilations anonymes, tout comme l’influence, sous-estimée, de cette production récréative européenne sur l’autre versant de l’œuvre de l’écrivain : celui des Fables. Il était donc nécessaire de confronter celles-ci et ceux-là, abordés de manière solidaire, à un corpus d’une centaine de recueils de narrations brèves à visée divertissante (xve-xviie siècle), pour cerner ce que les Fables et les Contes leur doivent précisément.

La relation entretenue par La Fontaine avec ce patrimoine pluriséculaire, associée à une Renaissance gaillarde, permet de saisir les rapports ambivalents de l’âge classique avec un passé perçu comme plus rieur. Sont ainsi posés les fondements d’une esthétique de l’influence, articulant recherches génétiques, analyses littéraires et histoire des représentations.

https://www.droz.org/fr/7278-9782600060035.html

Ronald W. Tobin, L’aventure racinienne : Un parcours franco-américain
Posted: 19 Jul 2020 - 17:22

L'Harmattan, 2020. ISBN 978-2-343-20255-6. 25€.

L‘aventure racinienne trace une évolution de la critique racinienne.

Le parcours de l’ouvrage est double : il suit, d’une part, le sort de Racine à travers les cinquante dernières années; d’autre part, il relate son accompagnement par l’auteur/éditeur de quatre volumes sur Racine.

Déblayant des chemins critiques controversés et confrontant toutes les tendances, Ronald Tobin met au jour l’inspiration culturelle, largement française et anglosaxonne, qui a produit une  explosion d’échanges autour des tragédies. Mariant  le personnel et le professionnel, l’auteur rappelle les moments où il a pu contribuer à la recherche du vrai Racine et surtout, depuis vingt ans, à notre admiration d’une anthropologie racinienne qui se traduit par la représentation d’une rupture à tous les niveaux.

 

Dr. Ronald W. Tobin est Professeur émérite de la littérature françaiseclassique à l’Université  de Californie à Santa Barbara. L’Académie françaiselui a décerné le Grand Prix du  Rayonnement de la langue et de la littérature française pour ses ouvrages, dont notamment Racine and Seneca et Tarte à la crème : Comedy and Gastronomy in Molière’s Theater.

Writing/Creating in the Feminine in Early Modern France, Écrire/Créer au féminin dans la France moderne, eds. Anne R. Larsen and Colette H. Winn
Posted: 18 Jul 2020 - 00:32